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"Boy Meets Girl", f'rinstance, combines the psych-organ groove of early Traffic, cowbell-banging from "Honky Tonk Woman", and Kool & The Gang woo-hoo!'s, while "Shake Me Baby" speaks of wanting to be "your tambourine man" in a gleefully approximate Dylan impression. Fortunately, the remainder of the D-D-Don't Don't Stop the Beat is easier to swallow for IGS sufferers, as Junior Senior draw their inspiration less from disco/techno clubland than from the classic rock dial. To treat this condition, the good doctor prescribed a revolutionary new cure: Junior Senior's D-D-Don't Don't Stop the Beat.Ĭhances are, your only exposure to Junior Senior thus far has been the Fatboy Slim-endorsed "Move Your Feet", a track that happens to be the most stereotypically Euro on this record, layered as it is with three coats of rayon keyboard and a raspy diva shouting for global unity via the dance! It's a strong club track, but probably a bit of a deep-end dive for tourists from the land of singer/songwriter moping and fiercely proud lo-fidelity. People diagnosed me with a serious deficiency of Vitamin F(un), which led to excessive behavorial inhibition during shows and caused me to miss out on hundreds of irresistibly catchy and fascinating songs against which I'd been prejudiced based on sales figures. Though I thought my listening diet was healthily balanced, Dr. People, I realized I was suffering from a rare illness: Indie Guilt Syndrome, or IGS for short. But after an appointment with the vaunted Dr.
Junior senior dd don t don t stop the beat full#
My head was full of a taxonomy categorizing all artists I came across as "authentic" or "contrived," as judged by their biography, label affiliation, and oh yeah, occasionally, their music.įor years, I saw absolutely nothing wrong with this behavior, considering my musical health robust, even vibrant. When confronted with commercial radio, I would sneer and mime symptoms of illness, bemoaning the factory-produced facelessness of pop music. At shows, I would concentrate on remaining as still as possible, allowing only a tapping foot or nodding head to express any enthusiasm I had for the performer.